剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
相关影片
2019
剧情片
日本
正片
2024
剧情片
法国,印度,荷兰,卢森堡,意大利
正片
2023
剧情片
丹麦 / 瑞典 / 挪威 / 德国
麦斯·米科尔森 阿曼达·科林 古斯塔夫·林德 克里斯汀·库亚斯·托普 马格努斯·克雷佩 索伦·莫灵 Morten Hee Andersen 雅各布·豪伯格·罗曼 托马斯·加比利尔森 费利克斯·克拉默 摩顿·伯安 丽丝·瑞森·奥尔森 Finn Nielsen 西蒙·本尼杰格 马丁·费弗尔 Lasse Steen Melina Hagberg Joen Højerslev Patricia Slauf Nanna Koppel
17世纪中期，丹麦国王弗雷德里克五世为了增加税收，宣布对广袤的日德兰岛荒原进行殖民。但是当地土地贫瘠，强梁横行，数十年来许多征服者都无功而返，甚至命丧他乡。直到名叫路德维格·卡伦（麦斯·米科尔森 Ma
正片
2025
剧情片
印度
正片
2023
剧情片
大陆
正片
2025
剧情片
瑞士,德国
正片
2019
剧情片
日本
正片
2025
剧情片
中国大陆
正片
2017
剧情片
欧美
雅各布·特伦布莱 朱莉娅·罗伯茨 伊扎贝拉·维多维奇 欧文·威尔逊 诺亚·尤佩 丹妮尔·罗丝·拉塞尔 纳吉·杰特 戴维德·迪格斯 曼迪·帕廷金 布莱斯·吉扎尔 艾尔·麦金农 泰·孔西利奥 詹姆斯·休斯 凯尔·布瑞特科夫 米莉·戴维斯 莉娅·朱厄特 凯琳·布瑞特科夫 利亚姆·迪金森 艾玛·特伦布莱 马克·多兹劳 鲁奇娅·伯纳德 J·道格拉斯·斯图瓦特 阿里·利伯特 埃丽卡·麦基特里克 本杰明·拉特纳 杰森·麦金农 索尼娅·布拉加 吉洁特
奥吉（雅各布·特瑞布雷JacobTremblay饰）是一个10岁的男孩，除了头戴一个巨大的太空头盔外，他和其他的同年龄孩子别无二致。头盔下隐藏了奥吉因为各种手术而伤痕累累的脸庞，它不仅完美的隐藏起了奥吉脆弱自卑的内心，也成功的防止了奥吉的模样吓到别的孩子。奥吉没有上过学，他的所有文化知识都是母亲伊莎贝尔（朱莉娅·罗伯茨JuliaRoberts饰）在家教授给他的。然而，伊莎贝尔渐渐感觉到，家庭课堂无法满足奥吉的成长需要，除了学习知识，奥吉还必须学会的，是如何同除了家人以外的人交流。在忧虑重重之中，伊莎贝尔将
正片
2023
剧情片
欧美
安妮特·贝宁 朱迪·福斯特 瑞斯·伊凡斯 Ethan Jones Romero 洁娜·易 Johnny Solo 卢克·科斯格罗夫 卡莉·罗森博格 Anna Harriette Pittman 埃里克·米勒 艾瑞卡·赵 Garland Scott Tisola Logan 马库斯·杨 Samantha Gordon Mauricio Adrian Anne Marie Kempf Marcella Acuña Báez Lilo Grunwald Nadia Lorencz
基于戴安娜·奈德所著畅销自传《FindAWay》，她在70年代被视为世界上最杰出的长距离游泳选手，曾打破数个世界纪录。2013年，64的岁的奈德在最好的朋友和35名热心支持者的帮助下，不带防鲨笼完成了
正片
正在热播
更多
2025
国产剧
大陆
独家推荐
第18集
2023
动漫
内地
独家推荐
第100集
2025
国产剧
大陆
独家推荐
已完结
2025
国产剧
内地
热播
更新至36集
2025
国产剧
中国大陆
独家推荐
第8集完结
2025
国产剧
大陆
独家推荐
连载至12集/共38集
全剧集
2025
喜剧片
中国大陆 / 中国香港
独家推荐
正片
2021
动作片
大陆
推荐
正片
2009
动作片
香港
推荐
正片
2025
国产剧
中国大陆
独家推荐
全剧集
2025
国产剧
中国大陆
热播
更新至14集
2025
国产剧
内地
热播
全24集
2024
动漫
大陆
独家推荐
全剧集
HD中字